Cut, copy, paste, swap, then repeat. [peterellisjones]
The Process of Constructive Plagiarism
This post focuses on the 'how', for more on the 'why' see my other post.
It is rare in my experience that anyone actually bothers to teach the skill of summarising or paraphrasing text without plagiarising it, here is one excellent but unfortunately rare example of this. Below is the process I advocate, and one I have refined over several years.
Phase 1: The Gathering...Prepare a (digital) space to use as a container, if your assignment is confined to text only this could just be one long word processed document, or if you feeling a little more traditional, maybe or/and a notebook full of paraphrased notes and direct quotes with enough of a bread crumb trial in terms of references to lead you back to where you found the information. If it is a 'media rich' assignment combining different media this could be a folder containing text documents, and collections of media such as photographs and video. In much the same way as you have been having to do with text, it is likely that longer videos will need to be trimmed down to the essential elements.
Embark on a research 'safari', this means reading/viewing widely and thoroughly. Thoroughly capture any and all content that you encounter during this initial phase, this could be in the form of condensed notes with blocks of text from books you read transcribed into your own notes (I use dictation software for this, I literally read important sections from the books I read transcribe my notes word for word, carefully including citation in the appropriate format (APA et cetera, with page number references), copy and paste content from original articles (carefully cited) and websites, including provoking discussions encountered on web fora, even transcripts from video material that is of specific relevance to the area of research. When you find an article of particular relevance, a useful strategy is to follow the thread of their research, for example if they cite a particular author to reinforce or verify a point that you think is of particular importance, look up that author's full citation in the bibliography of that article and then track down that article to expand your reading material, of course you can also add to that citation to your list. When reading research articles in PDF form, the notes you compile should include your own contextual notes that you should be inspired to write in the margins if the article is any good. Better still you could add as annotations to the PDF on screen, I like to use GoodReader for this, none of space limits you have to tolerate with paper, and easily searchable later. It is also very important that you attempt to capture any ideas of relevance, this includes ideas that are directly contradicting each other, if anything seek out contradictory opinions/findings that are effectively and intelligently presented. This will come in very useful later when you come to repurpose this material for your own needs.
Traffic Light Highlighting
A common mistake when reading and highlighting source material is having an approach that is too... homogeneous. Instead of just highlighting in swathes of yellow, the following approach is far more effective, as well as providing ample basis to relate the content you highlight to your own context, as essential aspect of the paraphrasing and summarising you will need to do later. As the name implies, you use three colours when highlighting, and get into the habit of adding a note to everything you highlight, these notes are essential later on when it comes to deciding what to do with these selections, whether you will use as a direct quotation, or whether you will cite it but paraphrase or summarise it.
Text highlighted in green is a reference you feel is essential, it makes a significant impression on you, sums up your own position in a way that is effective, eloquent, authoritative, it resonates with your own experiences in an especially powerful way. This is a quote you will almost certainly use as a direct quotation, but one you will 'write from', to expand on why it is that you feel its content is so relevant.
Text highlighted in red, is similar to a green highlight, but it inspires in you the opposite response. While it may still be eloquent and/or authoritative, far from resonating with your own experiences, it very much contradicts them. This is also a quote you will almost certainly want to use as a direct quotation, and one you will 'write from', to expand on why it is that you feel its content is so badly mistaken.
As with all of your writing, any arguments you make for or against an idea will be much more effective if you can back them up with references to other authoritative sources that you have gathered; this is where the colour coding is particularly useful, as you can cite your green sources to add weight to your argument against the red sources.
Last but not least, text highlighted in yellow sits in the middle, it may not be a reference that is one that elicits a passionate response at either end of the spectrum, but the content is nevertheless relevant, informative, helpful, useful, pertinent, and apposite. These references are likely to be far too abundant to be of use as direct quotes—a useful rule of thumb I have encountered is the rule of one tenth; if the final word length of your assignment is 6000 words, then approximately no more than one tenth of those should be used for direct quotations. In this example, once you've used up 600 words as direct quotes, you would need to paraphrase or summarise the rest and of course cite it; this is a the most likely use for text highlighted in yellow.
Patch writing/working AKA aggregationWhen the initial phase is complete you will have at least one gargantuan word processing document filled with a mind boggling range of excerpts and content that spans a wide range of material that directly relates to your assignment focus, being careful to include the original references either from the article itself or from Google Scholar et cetera. This type of document is often somewhat disparagingly referred to as ‘patchwork writing’, although this connotation is generally because it is assumed (again) that this patchwork state is ready for submission. Generally speaking, it is easy to underestimate the skill needed to avoid patchwork writing, and it is usually easy to spot; if nothing else, because of spelling/grammatical discrepancies, to say nothing of erratic 'voice'—flawless for the plagiarised sections—less than flawless for the sections added to patch the work together. The 'voice' of a patchwork essay can feel extremely dissonant.
“Direct "patchwork" plagiarism occurs when a writer copies material from several writers and rearranges that material with no attempt to acknowledge the original sources.” (my emphasis)
Here’s a good description from one of my favourite sources that you are advised never to cite in an academic article, Urban Dictionary, (along with Wikipedia of course):
patch writingYes, this patchwork is an essential early stage, but, believe me, with constructive plagiarism, it is far from being ‘patchwork plagiarism’. Why? Because we are about to embark on the next phase, as advised by the NIU:
A technique of writing an essay, blog contribution or research paper by cutting and pasting large chunks of source material and interspersing these with brief connective sentences. The end result is thus a grotesque patchwork of long quotations that reveals little or nothing of the named author's own thoughts or insights [I would argue that if the rewritten text does reveal a great deal about your own thoughts and insights, as opposed, or as juxtaposed to the original author’s, then it’s not really plagiarism any more, is it?].
Source material may be referenced or, when plagiarized, either presented without [or with] citation or in a cosmetically [really? How about articulately? thoroughly? carefully?] reworded format.
"What sets patchwork plagiarism apart from direct plagiarism, however, is that, in patchwork plagiarism, the writer creatively weaves the source materials together with his or her own words into a paragraph that is a mixture of plagiarized and original material.
To eliminate this type of plagiarism, you should acknowledge each source that your ideas came from and either enclose the words taken directly from each source in quotation marks or paraphrase the material into your own words.”
The distinction between patchwork plagiarism (no citations) and document that carefully includes clear citation is what Turnitin refer to as aggregation, work that 'includes proper citation but contains almost no original work':
Citations, references, bibliographyIt is very important at this initial phase that you meticulously capture the references to all the material you wish to cite if at all possible, this can be tricky if you are using text from blogs and online fora (this can be a rich source of intelligent, informed dialogue). Which brings me to another one of my gripes, when oh when will hyperlinking be permitted as a form of referencing in academic writing? I can dream, but for now, you have to show you can play the game of tediously building your list of references and bibliography. For the most part you should be able to get the citations using the usual citation tools. While Bibme, EasyBib and EndNote et al are useful (especially for building your own more obscure references, particularly primary, not officially published sources), my favourite is Google Scholar; search for the original article and you can use the citation tool to copy the reference in the style that you need to use. You should use a separate word processed document for this, ideally in table format so that you can paste all of the references into a new row as you work through this assignment, at the end this will become your bibliography, when you sort it into alphabetical order and put a heading at the top. Another excellent tool that combines all of these processes is RefMe, tracking all of the quotes you wish to use, along with your own notes, while also creating end notes—all of which can be downloaded as one aggregated document.
Now you are ready for Phase 2.
Phase 2: reEverything
Remix/reword/rewriteNow you thoroughly read and reread through this document, once you thoroughly understand its contents, you make a copy of this document and begin the process of evolving it from its current form into what will finally become your own final assignment. It will need to go through many iterations and versions between this point and that point, as it evolves and mutates into a document that feels like yours, as opposed to feeling like a disparate patchwork of assorted quotations and extracts. Are there words or terms used that you don’t understand? Reword or find out what they mean, then rephrase so they make more sense to you. This is where the 'traffic light highlighting' referred to above really becomes useful, identify the 10% you will keep as direct quotes and get to work on removing, or rewriting the rest.
This process of interpolation/integration/isolation/clarification is the phase where you move to a very deep level of engagement with the learning in this area, don't be afraid to interrupt this process in order to gather more material as new questions arise and new dilemmas present themselves, as you start to formulate his document into something that feels like your own stream of thought.
Resequence/removeNow you need to start cutting and pasting and moving text around in the document to create a narrative flow, is there a story emerging from these disconnected text? You gathered them all because they resonated with you in some way, so what is the 'picture' that is forming? Look for a pattern that links these ideas, if you encounter ideas that do not align with this rationale, then those ideas probably need to be deleted, don't panic, the original text is in the original copy of this document if you decide if you need it later. Without a doubt, one of the main challenges you will face using this method is a high word count, (another frustrating element of the game, staying under word length), far in excess of the limits that you will have imposed upon you. Time and time again the challenge of practising concision will be one that will force you to make decisions about what it is you really need to say and what is superfluous.
Isolate/focus/discriminateNow you need to determine which of these sections is most critical to the understanding of your emerging rationale that you are trying to present. These should ideally be maintained as direct quotations from the original source, but of course this is highly unlikely to be an option, as most academic assignments are very critical of an overweighting of direct quotes. Exactly what they will consider an overweighting will vary greatly, good luck getting a clear answer on that one. Sections you wish to keep as a direct quote should be highlighted or formatted in bold so that you can clearly identify and contrast them from your own summaries and paraphrasing within the main body of the text that is starting to emerge.
Rewrite/rephrase/revise/paraphrase/summariseNow you need to take the rest of the text and rewrite it so that it becomes your own paraphrase of the original text while maintaining the reasoning that prompted you to capture it in the first place. In order to be able to create a seamless bridge between potentially disparate ideas, you will need to write these connections yourself, you may find your own notes you captured in the process of reading to be particularly helpful here, transposing context from that in the original article to that within within which you work and learn also helps. If you made a point of capturing alternative/opposing perspectives during your initial research, this now becomes instrumental in evolving this document into something is more yours than theirs, that feels and sounds more like you, your voice, less like a patchwork, and a lot less like the original writers as you attempt to reconcile these different perspectives, or to align yourself with one against the other. This will require you to interpolate text and sequence it in order to be able to bridge the gaps between the various arguments and rewrite them to form a united and interrupted flow.
Again you will encounter paragraphs that you will struggle to rewrite because they were written so effectively by the original author, ideally you would quote these directly, but of course you cannot because you cannot over use direct quotes, so what do you do now? You paraphrase, so you attribute this sequence to the original writer and cite carefully, but instead of directly quoting, you paraphrase the paragraph instead as was so eloquently described by scribbr above; you will need to set the context for the paraphrased section by formulating the text preceding or following the quote or paraphrase to clarify the points you want to imply.
That's it, this is an iterative process, keep cycling through these stages until you have completed your magnum opus.
Many thanks to David Woo and Kurt Wittig for their feedback and their contributions to this post.